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Chapter 7: The Hidden Threads

The air inside the safe room above Michael's brother's auto body shop smelled of motor oil, old paper, and pine-scented floor cleaner. It was a modest space—a square room with slanted ceilings, a narrow cot tucked under a dormer window, a two-burner hot plate, and a scarred wooden table that wobbled slightly whenever I rested my elbows on it. Downstairs, the steady, rhythmic clank-hiss of an air compressor kept a mechanical pulse running through the floorboards, reminding us that we were still anchored to the working-class guts of Oakhaven, far away from the polished marble lobbies and soaring glass walls of Helena’s downtown empire.

I sat at the wooden table with the light green knitted blanket spread out flat before me. The baby was sleeping soundly in a cardboard box lined with clean flannel towels that Michael’s brother, a quiet, broad-shouldered mechanic named Sam, had scrounged up from the back storage bay. Sam had given us three soft towels, a tin of instant coffee, and a nod of heavy-lidded understanding before heading back down the wooden staircase to finish rebuilding a transmission. He hadn't asked about the bruises fading along my jaw, nor had he questioned why a woman in a mud-splattered maroon turtleneck and grey pants was hiding out in his attic with a newborn. In Oakhaven, people respected the unwritten law of minding your own business, especially when the shadow of someone powerful loomed over the valley.

My fingers traced the tight zigzag pattern of the green wool. My grandmother had knitted it for me during my first winter in the city, long before Helena’s foundation had offered me a fellowship, long before I had ever set foot inside that penthouse bedroom or met Michael across a mahogany boardroom table where our eyes had first locked in shared exhaustion. At the time, it was just a comforting blanket. But sitting here in the quiet gloom of the attic, with the morning sun casting sharp, dusty bars of light across the tabletop, I noticed something odd.

The border stitching along the bottom edge didn't match the rest of the work.

My grandmother had always used a uniform double-knot for her finishes, neat and invisible. But here, near the left corner where the green yarn met a slightly darker shade, the thread was thick, coarse, and knotted with an awkward single loop. It felt rigid beneath my thumb—like a small, rectangular seed packet sewn directly into the hem.

"What have you found?" Michael asked softly, stepping over from the dormer window where he had been watching the gravel driveway through a pair of rusted binoculars. He set a tin mug of hot water on the table, the steam curling upward into the dim light.

"Look at the hem," I murmured, my heart giving a sharp, nervous thump against my ribs. "This isn't my grandmother's stitching. Someone went into my bag before the fire, or maybe... maybe it was tucked away long before that."

Michael pulled out a wooden chair, scraping it across the unpainted floorboards as he sat down beside me. His dark beard was stubbled with a few days of growth, and the blue athletic shirt he had worn since the penthouse escape was stained with grey soot at the cuffs, but his gaze was steady and sharp. He reached into the pocket of his jeans, pulled out a small, pocket-sized folding knife with a weathered wooden handle, and flipped open the shortest blade with a flick of his thumb.

"Hold the fabric taut," he instructed, his voice low and calm.

I gripped the corners of the light green knitted blanket, pulling the heavy wool tight while Michael slid the tip of the blade beneath the coarse thread. With a gentle sawing motion, he sliced through the knot. The tension in the fabric released with a faint pop.

Using the tip of the blade, Michael wedged out a small, flat object wrapped in a square of yellowed tracing paper. He lifted it out and set it on the clean surface of the table between us.

I reached out, my fingers trembling slightly as I unfolded the tracing paper. Inside lay a micro-cassette tape, its brown magnetic ribbon catching the dim light, alongside a folded slip of heavy cardstock covered in neat, looping handwriting. I recognized the handwriting instantly. It belonged to David Vance, Helena’s late husband, who had supposedly died in a private plane crash twenty-five years ago—long before Helena took over the foundation and turned it into an untouchable fortress of public philanthropy and private terror.

"Read it," Michael whispered, leaning in close so his shoulder brushed mine.

I unfolded the cardstock. The ink was faded, written with a fountain pen that had skipped slightly on the word truth.

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“If you are reading this, Helena has already rewritten the ledger. The foundation was never hers. The child is the key. Do not trust the attorneys.”

The words sat there on the scarred wooden table, cold and undeniable, cutting straight through the fragile silence of the attic and exposing the raw, ugly foundation upon which Helena had built her entire life of glittering deceit.

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